課程資訊
課程名稱
二十世紀女性小說
TWENTIETH-CENTURY WOMEN S FICTION 
開課學期
95-2 
授課對象
文學院  外國語文學研究所  
授課教師
劉亮雅 
課號
FL7066 
課程識別碼
122 M2640 
班次
 
學分
全/半年
半年 
必/選修
選修 
上課時間
星期二5,6,7(12:20~15:10) 
上課地點
外研一 
備註
第二類本課程中文授課,使用英文教科書。
限碩士班以上
總人數上限:15人 
 
課程簡介影片
 
核心能力關聯
核心能力與課程規劃關聯圖
課程大綱
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課程概述

This course will focus on Twentieth-Century women’s fiction written in English, with the premise that women’s fiction is related to the historical experiences of women and that the experiences may vary in accordance with race, ethnicity, class, sexual orientation, and location. We will read feminist theory, queer theory, and postcolonial theory in the first six weeks and study one fictional text for each of the following ten weeks. The themes we will explore include mother-daughter relationship, female friendship, gender relationship, trauma, diaspora, the interlocking of gender and race, etc. We will relate the vision of each fiction to the concerns of its time and study how the aesthetics of each fiction enhance the power of its vision. 

課程目標
This course will focus on Twentieth-Century women’s fiction written in English, with the premise that women’s fiction is related to the historical experiences of women and that the experiences may vary in accordance with race, ethnicity, class, sexual orientation, and location. 
課程要求
1. participation in class discussion.
2. several oral presentations.
3. at least three critical reviews.
4. a term project of 15-20 pages long.
 
預期每週課後學習時數
 
Office Hours
 
指定閱讀
 
參考書目
 
評量方式
(僅供參考)
   
課程進度
週次
日期
單元主題
第1週
2/27  Introduction 
第2週
3/06  Virginia Woolf, A Room of One’s Own
Elisabeth Grosz, “Luce Irigaray and Sexual Difference.” Sexual Subversions, 100-39.
Diana Fuss, “Luce Irigaray’s Languages of Essence.” Essentially Speaking. 55-72.
 
第3週
3/13  Chandra Talpade Mohanty, “Under Western Eyes: Feminist Scholarship and Colonial Discourses.” Third World Women and the Politics of Feminism. 51-80.
Sara Ahmed, “Going Strange, Going Native.” Strange Encounters, 114-33.
Sara Ahmed, “Ethical Encounters.” Strange Encounters, 137-60.
 
第4週
3/20  Francoise Lionnet and Shu-mei Shih, “Introduction: Thinking Through the Minor, Transnationally.” Minor Transnationalism. 1-23.
David Palumbo-Liu. “Rational and Irrational Choices: Form, Affect, and Ethics.” Minor Transnationalism. 41-72.
Francoise Lionnet, “Transcolonial Translations: Shakespeare in Mauritius.” Minor Transnationalism. 201-21.
 
第5週
3/27  Gloria Anzaldua. “How to Tame a Wild Tongue.” A Cultural Studies Reader. 402-11.
Linda Martin Alcoff. “The Unassimilated Theorist.” PMLA 12.1 (2006): 255-59.
Debra A. Castillo. “Anzaldua and Transnational American Studies.” PMLA 12.1 (2006): 260-65.
Inderpal Grewal. “Autobiographic Subjects and Diasporic Locations: Meatless Days and Borderlands.” Scattered Hegemonies. 231-54.
Jenny Sharpe. “Cartographies of Globalization, Technologies of Gendered Subjectivities: The Dub Poetry of Jean “Binta” Breeze.” Minor Transnationalism. 261-82.
 
第6週
4/03  Eve Sedgwick, “Introduction.” Between Men. 1-20.
Eve Sedgwick, “Gender Asymmetry and Erotic Triangles.” Between Men. 21-27.
Judith Butler, “Subjects of Sex/Gender/Desire.” Gender Trouble, 1-34
Judith Butler, “Imitation and Gender Insubordination.” Inside/Out. 13-31.
 
第7週
4/10  Cathy Caruth. “Introduction: The Wound and the Voice.” Unclaimed Experience. 1-9.
Cathy Caruth. “Traumatic Awakening (Freud, Lacan, and the Ethics of Memory).” Unclaimed Experience. 91-117.
Walter Benjamin, “The Storyteller.” Illuminations. 83-109.
Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction.” Illuminations. 217-51.
 
第8週
4/17  Virginia Woolf’s To the Lighthouse 
第9週
4/24  Edith Wharton’s The Age of Innocence 
第10週
5/01  Radcliffe Hall’s The Well of Loneliness 
第11週
5/08  Nella Larsen’s Passing 
第12週
5/15  Doris Lessing’s The Grass Is Singing 
第13週
5/22  Jean Rhys’s Wide Sargasso Sea 
第14週
5/29  Toni Morrison’s Paradise 
第15週
6/05  Margaret Atwood’s The Handmaid’s Tale 
第16週
6/12  Annie Proulx’s Brokeback Mountain  
第17週
6/19  NULL 
第18週
6/26  NULL 
第19週
   NULL